Weekends are fleeting,
Like life. You turn around and
It’s Monday. Or death.

ONE ART
by Elizabeth Bishop

The art of losing isn’t hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster.

Lose something every day. Accept the fluster
of lost door keys, the hour badly spent.
The art of losing isn’t hard to master.

Then practice losing farther, losing faster:
places, and names, and where it was you meant
to travel. None of these will bring disaster.

I lost my mother’s watch. And look! my last, or
next-to-last, of three loved houses went.
The art of losing isn’t hard to master.

I lost two cities, lovely ones. And, vaster,
some realms I owned, two rivers, a continent.
I miss them, but it wasn’t a disaster.

—Even losing you (the joking voice, a gesture
I love) I shan’t have lied. It’s evident
the art of losing’s not too hard to master
though it may look like (Write it!) like disaster.

 haresfur wrote:
 

She was AMAZING.

'Not Broken But Simply Unfinished'

 Lazy8 wrote: 

The Shortest Day by Susan Cooper

And so the Shortest Day came and the year died
And everywhere down the centuries of the snow-white world
Came people singing, dancing,
To drive the dark away.
They lighted candles in the winter trees;
They hung their homes with evergreen;
They burned beseeching fires all night long
To keep the year alive.
And when the new year’s sunshine blazed awake
They shouted, reveling.
Through all the frosty ages you can hear them
Echoing behind us—listen!
All the long echoes, sing the same delight,
This Shortest Day,
As promise wakens in the sleeping land:
They carol, feast, give thanks,
And dearly love their friends,
And hope for peace.
And now so do we, here, now,
This year and every year.
Welcome, Yule!

 ScottN wrote: 
Lovely.

In your next letter,
by Carrie Shipers

                                           please describe
the weather in great detail. If possible,
enclose a fist of snow or mud,

everything you know about the soil,
how tomato leaves rub green against
your skin and make you itch, how slow

the corn is growing on the hill.
Thank you for the photographs
of where the chicken coop once stood,

clouds that did not become tornadoes.
When I try to explain where I’m from,
people imagine corn bread, cast-iron,

cows drifting across grass. I interrupt
with barbed wire, wind, harvest air
that reeks of wheat and diesel.

I hope your sleep comes easy now
that you’ve surrendered the upstairs,
hope the sun still lets you drink

one bitter cup before its rise. I don’t miss
flannel shirts, radios with only
AM stations, but there’s a certain kind

of star I can’t see from where I am—
bright, clear, unconcerned. I need
your recipes for gravy, pie crust,

canned green beans. I’m sending you
the buttons I can’t sew back on.
Please put them in the jar beside your bed.

In your next letter, please send seeds
and feathers, a piece of bone or china
you plowed up last spring. Please
promise I’m missing the right things.

My love is like a red red rose
Or concerts for the blind,
She's like a mutton-chop before
And a rifle-range behind.

Her hair is like a looking-glass,
Her brow is like a bog,
Her eyes are like a flock of sheep
Seen through a London fog.

Her nose is like an Irish jig,
Her mouth is like a 'bus,
Her chin is like a bowl of soup
Shared between all of us.

Her form divine is like a map
Of the United States,
Her foot is like a motor-car
Without its number-plates.

No steeple-jack shall part us now
Nor fireman in a frock;
True love could sink a Channel boat
Or knit a baby's sock.

A Winter Twilight

 Angelina Weld Grimké

A silence slipping around like death, Yet chased by a whisper, a sigh, a breath; One group of trees, lean, naked and cold, Inking their cress 'gainst a sky green-gold; One path that knows where the corn flowers were; Lonely, apart, unyielding, one fir; And over it softly leaning down, One star that I loved ere the fields went brown.

 

 Manbird wrote:

Habemus papam translated wrongly, back then, so 
Don't be an ulcer! 



 

 Lazy8 wrote:
 

That's a good one, broanaheimconventioncenter. I couldn't translate the Latin phrase but I think I get it. 

Bruises In Amber

Science tells us that
we bruise easier as we get older.
Skin is thin in all the wrong places
and usually too thick in between.

But my bruises hide deep inside
and it's the odd comment
that brings them to the surface.
Habeas ulceris if you will.

To remind me of
Something I did
Something I should have done
Something I thought about doing
Something I should have said.
But didn't.

Maybe we carry these bruises with us
for a reason.

Helping us be a little gentler.
Helping us be a little wiser.
Helping us to not bruise
those we love.

Steven Mott

 ScottN wrote: 

Out on the flats, a heron still
as a hieroglyph carved
on the soft gray face of morning.

You asked, when I seemed far away,
what it meant but were gone
when I turned to you with an answer.

Nothing mysterious—hunger,
a taste for salt tides,
distance, and a gift of flight.

LEONARD NATHAN

And some time make the time to drive out west
Into County Clare, along the Flaggy Shore,
In September or October, when the wind
And the light are working off each other
So that the ocean on one side is wild
With foam and glitter, and inland among stones
The surface of a slate-grey lake is lit
By the earthed lightning of a flock of swans,
Their feathers roughed and ruffling, white on white,
Their fully grown headstrong-looking heads
Tucked or cresting or busy underwater.
Useless to think you'll park and capture it
More thoroughly. You are neither here nor there,
A hurry through which known and strange things pass
As big soft buffetings come at the car sideways
And catch the heart off guard and blow it open.

Seamus Heaney

Bright, yellow scrambles
Match the sunshiney day. They
Are both delicious.