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All the time it's getting strong
No way of dealing with this feeling
Can't go on like this too long
This time you've gone too far
This time you've gone too far
This time you've gone too far,
I told you, I told you, I told you, I told you
Don't talk back, just drive the car
Shut your mouth, I know what you are
Don't say nothing, keep your hands on the wheel
Don't turn around, this is for real
Digging in the dirt
Stay with me I need support
I'm digging in the dirt
Find the places I got hurt
Open up the places I got hurt
The more I look, the more I find
As I close on in, I get so blind
I feel it in my head, I feel it in my toes
I feel it in my sex, that's the place it goes
Digging in the dirt, to find the places we got hurt...
Not that bad a song really, but I could go the rest of my life without hearing Peter Gabriel or any other old guy for that matter, sing "I feel it in my toes, I feel it in my sex". Just, no thanks, don't make me think about that.
I can't wait until you become an "older guy". Come back here and comment again.
"I feel it in my sex, that's the place it goes"
It's not even so much that he likes to talk about his sex life.
It's that the sentence sounds about like something a 9 year old would say.
Got to be +1 for that frickin awesome bassline
PG always seemed like a huge nerd that desperately wanted to be cool... but didn't.
Are you still in high school? Are you planning to attend college and broaden your horizons? I suggest this. Nerds and coolness. Maybe you're reflecting on a high school experience 30 years ago. I can't tell.
PG always seemed like a huge nerd that desperately wanted to be cool... but didn't.
ahhhahahahahahahahaha...PG not being cool, that is the funniest thing I've read all day... that cracks me up!
Bring on the "old guys"
Old Guys Rock
He was 42 when he was singing it. Does that count as an old guy?
PG always seemed like a huge nerd that desperately wanted to be cool... but didn't.
Nerds are almost always cool ... certainly compared to jocks.
Bring on the "old guys"
Old Guys Rock
And don't forget: In 1992 PG has been 42. I don't know, how old you are. But you're member since 2005, that's 15 years ago. I can imagine you haven't been a teenager?...
You can listen to the entirety of Gabriel's catalogue and find all the diversity you need. I personally have enjoyed him and welcome any and all tunes BillG and Rebecca will play.
IS IT A REMIX?
Look for it!
I was 19 when that album came out in 1973 and I can just about remember hearing it for the first time.
Peter Gabriel has remained a firm favourite with me over the years and all the albums he created as part of Genesis or in his solo career are in my imaginary top 100.
Sorry.
And now that I've read your post I'm doing the same. You should be sorry, but thanks for putting a new spin on this song.
Sorry.
My feeling is this as long as I don’t hear anything that has been played to death on here I have no problem with peter or anyone else
Fun fact: your dad is probably boning your mom right now.
(Sexual feelings don't stop at 30, another fact you'll learn when you...grow up.)
I admire your goodness and I strive to be like you, but hearing this song again for the gazillionth time ("this time you've come too far" for the 24 gazillionth time) just pumps up the negative energy in some people (me included), and saying something not nice acts as a pressure release valve. If I were talented, I know I would probably be able to channel that time and energy into something constructive - the thing is, hearing this song on an "ordinary" radio station would go unremarked, but next to so much divine, blissful (choose your own superlative) variety - the kind we are blessed with on Radio Paradise almost continuously - this Peter Gabriel drivel (and not all his stuff is drivel, though in my opinion, this definitely is) seems justifiable only for nostalgic reasons, but when nostalgia-land is visited over and over, it loses its appeal.
Still, then comes Cream and Nirvana and all is forgiven - different rides in the nostalgia-land funpark provoke different reactions - thrills or nausea!
oh, poop
MORE Peter Gabriel please
Why waste so much time and energy being negative?
"If you can’t say something good about someone, sit right here by me." — Alice Roosevelt Longworth
I think I've seen every tour of his but one since the 4th album, including his shows with Amnesty International which were wonderful little microcosms.
I held him up as he walked into the crowd on armrests (on MY armrest!) singing "lay your hands on me"
Swinging from an overhead bar singing "SHOCK the monkey!" then
Standing rock solid during early performances of Biko, out of respect for the topic.
Saw the lights attack him on stage during No Self Control "lights go down, stars come out, like a swarm of bees..."
The male/female stages, then the vertical stage - where he rode the Solsbury Hill bike in circles attached to the ceiling of the structure so he was upside down the whole time. The giant inflatable hamster ball. The huge video of Barry Williams' show.
and, lastly, the simple normal circling the stage while the rest of the band carried the tired old song.
It was a great time while it lasted.
I think its a spinning dancer (female) but using slower film. Gives her a semi-cocooned look.
I never got the guy, Genesis, Collins and Gabriel just don't do it for me
(add on edit) now 4 hours later there's another Gabriel thing playing
Why waste so much time and energy being negative?
I admire your goodness and I strive to be like you, but hearing this song again for the gazillionth time ("this time you've come too far" for the 24 gazillionth time) just pumps up the negative energy in some people (me included), and saying something not nice acts as a pressure release valve. If I were talented, I know I would probably be able to channel that time and energy into something constructive - the thing is, hearing this song on an "ordinary" radio station would go unremarked, but next to so much divine, blissful (choose your own superlative) variety - the kind we are blessed with on Radio Paradise almost continuously - this Peter Gabriel drivel (and not all his stuff is drivel, though in my opinion, this definitely is) seems justifiable only for nostalgic reasons, but when nostalgia-land is visited over and over, it loses its appeal.
Still, then comes Cream and Nirvana and all is forgiven - different rides in the nostalgia-land funpark provoke different reactions - thrills or nausea!
My 90-year-old father and my 86-year-old mother spent an hour today digging in the dirt behind their house, planting two blue hydrangea plants.
So "digging in the dirt" is meaningful to me today.
But ordinarily, this is a sub-1 tune.
~
And yes, I would have been there to help, but I live too far away and they had too much fun.
Turning point: watching him perform Solsbury Hill while riding a bike around the circular stage over and over. It sent the message of "I am so bored with this song, but I have to perform it." Then I realized that I was bored with him, too.
Strikes me as cool theatrics.
Do enjoy PG, but don't buy his CDs though I own a couple of early Genesis albums.
Why waste so much time and energy being negative?
You don't have a clue about me, and you still decided to post this, for whatever reason.
This is simply insulting Internet troll nonsense.
I thought your original comment was insightful, there's no need to respond to "putter downers".
If stage antics, props, and theater are your are your reasons for turning against PG, you were never a fan.
You don't have a clue about me, and you still decided to post this, for whatever reason.
This is simply insulting Internet troll nonsense.
also the surrealistic Video ... 10P
Lemonhead - you do not like this I assume?!
I totally get that this song is supposed to be oppressive, but I don't get why I need to hear it more than a few times. Its point was already made.
He seemed to go through a period of introspection and it changed his music considerably. Now, for the last decade, I don't consider his material nearly so important or groundbreaking.
Turning point: watching him perform Solsbury Hill while riding a bike around the circular stage over and over. It sent the message of "I am so bored with this song, but I have to perform it." Then I realized that I was bored with him, too.
If stage antics, props, and theater are your are your reasons for turning against PG, you were never a fan.
I totally get that this song is supposed to be oppressive, but I don't get why I need to hear it more than a few times. Its point was already made.
He seemed to go through a period of introspection and it changed his music considerably. Now, for the last decade, I don't consider his material nearly so important or groundbreaking.
Turning point: watching him perform Solsbury Hill while riding a bike around the circular stage over and over. It sent the message of "I am so bored with this song, but I have to perform it." Then I realized that I was bored with him, too.
9
The singer definitely hates someone in this song. But it is not a woman. It's himself.
I also love David Rhodes guitar work on these PG songs—he plays a real part in the song, not just root chords or melodies like a lot of rock guitar parts—his rhythm provides a real texture. You won't even notice it unless you look for it.
Thanks for pointing that out — I listened for it, and concur.
sorry. Not possible.
Well said. Now that I'm older and have gone through some struggles of my own in life I think I understand this song better.
Very nice!!
I truly feel sorry for all those people that really can’t enjoy music and spend time bashing and hating instead of enjoying…
Francesca Gonshaw yes please.
/searches for PSD button, finds button, plays Adele, ahhhhh better less annoying.
Shut your mouth!! You know who you are!!!
/searches for PSD button, finds button, plays Adele, ahhhhh better less annoying.
richlister ... This time you've gone too far!!
/searches for PSD button, finds button, plays Adele, ahhhhh better less annoying.
Good analysis. I find it scary because his psycho-analysis unearths sentiments that are quite bleak and scary. An extremely well-done song. I was lucky enough to see it included in his concert last October. The live version is grittier and less held-back. It rolled over the audience like a wall of fear.
Definitely one of the most intensely scared songs I know. And scary, too.
I wouldn't call this song 'scary', It is intense as you say but, in soul searching way. Digging out the dirt from inside himself ('Find the places we got hurt'). Counselling sessions.
When he sings:
Don't talk back, just drive the car.
Shut your mouth, I know what you are.
Don't say nothing, keep your hands on the wheel.
Don't turn around, this is for real.
I believe his mind is reflecting on his own soul searching journey. He is headed down a road of inner discovery and must not turn back.
This is my take on it anyway.
Definitely one of the most intensely scared songs I know. And scary, too.
I also love David Rhodes guitar work on these PG songs--he plays a real part in the song, not just root chords or melodies like a lot of rock guitar parts--his rhythm provides a real texture. You won't even notice it unless you look for it.
Much of Peter Gabriel's music is on a totally different mental level to most pop/rock. You either get him or you don't,.
I remember listening to his third solo album when I was 15. I was forced to listen to it by my mate's older brother. The first few times I listened I thought it was just OK, I didn't see what the fuss was about and then one listen it clicked.... 33 years later I am still listening to that album and enjoying it as much as I ever have.
The songs on it are dark and unsettling and beautifully crafted. Intruder especially is one of the best things Gabriel has ever done!
I have been lucky enugh to see the man 11 times since then and will be making it 12 in October in Manchester, England!
TONY was in Oz, I bet!
Just drive the car
Shut your mouth
I know what you are
Don't say nothing
Keep your hands on the wheel
Don't turn around
This is for real."
Still chilling, even after so many years.
On the other hand, I'm pretty sure that's what I told both my sons as I taught them to drive.
Just drive the car
Shut your mouth
I know what you are
Don't say nothing
Keep your hands on the wheel
Don't turn around
This is for real."
Still chilling, even after so many years.
chilling is right...you sure said it
Just drive the car
Shut your mouth
I know what you are
Don't say nothing
Keep your hands on the wheel
Don't turn around
This is for real."
Still chilling, even after so many years.
Cynaera wrote:
Actually, I agree with Art_Carnage, after having listened very carefully to the words. Not sure about the killing/buryingthebody part, but I think the rest of it is pretty darned accurate. I think "digging in the dirt" is metaphorical, not literal - perhaps carrying out a grisly, violent act in order to come to grips with abuse as a child, or something.
Whatever it's about, it's a scary and unsettling song, but I love it anyway.
boober wrote:
(God I hope she doesn't read this)
Actually, I agree with Art_Carnage, after having listened very carefully to the words. Not sure about the killing/buryingthebody part, but I think the rest of it is pretty darned accurate. I think "digging in the dirt" is metaphorical, not literal - perhaps carrying out a grisly, violent act in order to come to grips with abuse as a child, or something.
Whatever it's about, it's a scary and unsettling song, but I love it anyway.
Miss you so much, Cynaera...
love this song...
(God I hope she doesn't read this)
Really? That's odd. It gets played about a million times a week here.
Of course I think you and I learned math at the same school, so I have trouble with arithmetic. I have this issue with adding extra digits to numbers, so like the number 3 becomes 300. 50 becomes 50,000,000. It's a problem for us I guess.
Put your hands where we can see them, and back away from the keyboard . . . slowly . . .
.... Francesca Gonshaw
what kind of speech impediment?
If this is a "solid 1", then what do you have left for the Rihannas of this world, and what for and all those other countless overusers of Antares Autotune? Just sayin', although I get why people give songs low marks here on RP, it seems a bit of an over-reaction to rate a song a "solid 1".
.... Francesca Gonshaw
PG Considered as a master of music and I simply can't stand it, either
The song is much more likely about a bad break up describing that horrible moment trapped in the car having to get one's hands dirty "digging in the dirt to find the places where we got hurt"...or something like that. It's about a 'we', not some solipsistic killer. Psychopaths don't care how others feel.
Maybe not as dramatic as some crazy killer guy, but much more relevant and much more in line with the lyrics.
Cheers.
Don't remember the music video, but I do remember a magazine article where he said this tune was written to reconnect with his daughter. Wikipedia says this, but what do they know?
The video is largely an exploration of the issues in his personal life at the time - the end of his relationship with Rosanna Arquette, his desire to reconnect with his daughter and even the self healing he was looking for in therapy.
Whatever it's about, it's a scary and unsettling song, but I love it anyway.
If every band\artist has to have s stalker song, I think this fits the bill well. Even if it isn't quite the extreme as has been suggested (which sounds logical considering the lyrical content), it's still something that would get someone arrested and locked up for many years.
Put your hands where we can see them, and back away from the keyboard . . . slowly . . .
Who wants to hear the words of the typical douchebag immortalized by Peter Gabriel?
Actually, I agree with Art_Carnage, after having listened very carefully to the words. Not sure about the killing/buryingthebody part, but I think the rest of it is pretty darned accurate. I think "digging in the dirt" is metaphorical, not literal - perhaps carrying out a grisly, violent act in order to come to grips with abuse as a child, or something.
Whatever it's about, it's a scary and unsettling song, but I love it anyway.
It just sounds to me like my wife talking about my driving... :)
Actually, I agree with Art_Carnage, after having listened very carefully to the words. Not sure about the killing/buryingthebody part, but I think the rest of it is pretty darned accurate. I think "digging in the dirt" is metaphorical, not literal - perhaps carrying out a grisly, violent act in order to come to grips with abuse as a child, or something.
Whatever it's about, it's a scary and unsettling song, but I love it anyway.
I believe it was written during a painful divorce.
You're way out but thanks for playing.
Actually, I agree with Art_Carnage, after having listened very carefully to the words. Not sure about the killing/buryingthebody part, but I think the rest of it is pretty darned accurate. I think "digging in the dirt" is metaphorical, not literal - perhaps carrying out a grisly, violent act in order to come to grips with abuse as a child, or something.
Whatever it's about, it's a scary and unsettling song, but I love it anyway.