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Length: 2:16
Plays (last 30 days): 1
I'm the man on the scene
I can give you what you want
But you got to come home with me
I forgot some good old lovin'
And I got some more in store
When I get to thrown it on you
You got to come back for more
Toys and things that come by the dozen
That ain't nothin' but drug store lovin'
Hey little thing, let me light your candle
'Cause mama I'm sure hard to handle, now, yessir'am
Action speaks louder than words
And I'm a man of great experience
I know you got another man
But I can love you better than him
Take my hand, don't be afraid
I wanna prove every word I say
I'm advertisin' love for free
So, you can place your ad with me
Once it come along a dime by the dozen
That ain't nothin' but ten cent lovin'
Hey little thing, let me light your candle
'Cause mama I'm sure hard to handle, now, yessir'am
Baby, here I am
The man on your scene
I can give you what you want
But you got to come home with me
I forgot some good old lovin'
And I got some more in store
When I get to thrown it on you
You got to come runnin' back for more
Once it come along a dime by the dozen
That ain't nothin' but drug store lovin'
Hey little thing, let me light your candle
'Cause mama I'm sure hard to handle, now, yessir'am
==Credits==
Written by: [[Allen Jones]]/[[Alvertis Isbell]]/[[Otis Redding]]
In comparison with the Black Crows' cover this has so much more soul and patience and character. I like the Crows' cover, but it's so rushed & frantic...like teenage sex.
"...rushed & frantic...like teenage sex." Perfect description of the Black Cross' cover! Thanks!
One of his last recordings, before he passed away! May he rest in peace!
Huh! I was wondering if it was an early recording: the sound quality isn't great and his style's not fully fleshed out here.
Someone gave this a 1. I bet they are no fun at parties.
I Agree! Too funny!
Since I don't watch these AGT type shows normally, I was somewhat surprised to see Courtney more recently all made up (commercialized!) and well she's still a good performer.
Long Live RP and great classic tunes covered by young artists!!
Someone gave this a 1. I bet they are no fun at parties.
What a barbarian they are for doing that
It is no wonder Aretha came to own it. She sings it like everyone else needs to be begging from her.
In comparison with the Black Crows' cover this has so much more soul and patience and character. I like the Crows' cover, but it's so rushed & frantic...like teenage sex.
That's close to what I was going to post. But the Crowes were the ones to turn me onto Otis. They recorded it a half step up from Bb to B
In comparison with the Black Crows' cover this has so much more soul and patience and character. I like the Crows' cover, but it's so rushed & frantic...like teenage sex.
On the other hand (or transitioning to a different tangent), the Black Crowes' catalog includes numerous songs -- from several albums -- that ought to get a little love here from time to time. Hard rockers, soulful ballads, etc. (Maybe even toss in something from the Jimmy Page / Black Crowes concerts on occasion.)
I am so ashamed I did not know this was an Otis Redding song!
Me too!
Sorry folks, youngin' here. I had no idea Otis Redding originally did this song - it's fantastic!
I'm an oldie, and I had no idea
For those unfamiliar (especially you who thought the Black Crowes spawned this classic)... check out this treasure - https://www.allmusic.com/album...
Also his live album from his 1966 Wiskey A Go Go show- https://www.allmusic.com/album...
Seriously, so many gems that don't get regular air time. All great. I get frustrated that he's mostly only remembered for "Sittin' on the Dock of the Bay".
BTW, I love the BC's and their version too. There's always room for more good music!
Ain't nothin' but drugstore lovin'
And how back in the day, you could crack a note and no one cared or did another take! They just plowed on through...
That is what I like about the alternate Crowes version!
THAT! Yes : ) (voice? EXCEPTIONAL! )
Amazing.
Thank you.
Spot on in all respects
Michael Bolton was schooled in Tuvan throat singing. Discuss. (Don't look now: it's pile on Michael Bolton week!)
Why not devote one day of every week to such a noble cause? Although I get the impression that he's toned his approach way down in the past few years...that, or he's been in a coma.
"The Bolt" does have a point...Imagine the apocalyptic black hole that would have engulfed the Milky Way if those two had performed together.
And a bit of misty-eyed nostalgia
Maybe Michael Bolton could...
Michael Bolton was schooled in Tuvan throat singing. Discuss. (Don't look now: it's pile on Michael Bolton week!)
Maybe Michael Bolton could...
Echo that.
Commitments, Crowes, Otis, Mule ...... all do this well. Maybe it's because the song is so good it's hard to screw it up.
Maybe Michael Bolton could...
Commitments, Crowes, Otis, Mule ...... all do this well. Maybe it's because the song is so good it's hard to screw it up.
I still prefer The Black Crowes to Pigpen.....
B.S. IT WILL ALWAYS BE OTIS'S
The Commitments cover is unforgettable, and it may be time to watch that film again....
Another great cover was on the soundtrack of the film The Commitments - real oomf and zip. The original is great as well, of course :)
Contextually, I prefer the Commitments' take on this, including the horns, but love the poignancy in Mr. Redding's delivery--as far as the Black Crowes, Government Mule, or the Dead: good fun, but almost too smooth, could be grittier by a notch or two.
Love the Crowes version too
Just kidding, I have no idea what the Black Crows have to offer as I am not a fan, but full marks to Otis Redding! I especially like the genuine brass!
That, and Otis Redding had no connection to Motown - the city or the record label. This is my favorite version, but to each his/her own, of course.
yup...he be right....it was all Stax records for Otis, and from, as we proud southeners call it, mehhfisss...(or maybe that's jus me..whatever)
I still prefer The Black Crowes to Pigpen.....
PIG's rendition > Chris's. Though, diggin' the horns in this version.
This is a song that doesn't need "over producing."
Why is it so hard to find the handle, Otis?
Stop sitting in the docks all day!
I still prefer The Black Crowes to Pigpen.....
oh relax you swede dude. this is where music came from. motown boy. get the chip of your shoulder. i apologize for your actions. please excust this boys comment. its racial and offensive. peace.
casey1024 wrote:
Wow, way to misinterpret what someone else wrote. I believe "swede dude" was referring to the BLACK CROWS, as most of the other folks on this forum were. GEESH, who needs to relax?
That, and Otis Redding had no connection to Motown - the city or the record label. This is my favorite version, but to each his/her own, of course.
oh relax you swede dude. this is where music came from. motown boy. get the chip of your shoulder. i apologize for your actions. please excust this boys comment. its racial and offensive. peace.
Wow, way to misinterpret what someone else wrote. I believe "swede dude" was referring to the BLACK CROWS, as most of the other folks on this forum were. GEESH, who needs to relax?
Yes Poacher if they weren't on the dance floor before they sure was when this was spun.
The Black Crowes' version is just a rip off of the Grateful Dead version, which rocked the song up a bit. If you like their version better, credit the Dead, not the 'Crowes.
Me, I like this version, mostly because the Black Crowes ruined it for me, before I every knew they ripped it off.
I have yet to ever hear a better version than PigPen's. He OWNED that song.
The Black Crowes' version is just a rip off of the Grateful Dead version, which rocked the song up a bit. If you like their version better, credit the Dead, not the 'Crowes.
Me, I like this version, mostly because the Black Crowes ruined it for me, before I every knew they ripped it off.
Another great cover was on the soundtrack of the film The Commitments - real oomf and zip. The original is great as well, of course :)
Loved that movie!
oh relax you swede dude. this is where music came from. motown boy. get the chip of your shoulder. i apologize for your actions. please excust this boys comment. its racial and offensive. peace.
I won't even bother,,backscroll,read and think before you jump to conclusions !
For the best cover, check out Aug 6, '71, Hollywood Palladium:
https://deadlistening.blogspot.com/2008/07/1971-august-6-hollywood-palladium.html
I'm talkin' Rippin', one of the best Garcia solos eva. The entire band just Jumps on it, right from the first bar.
niiiice
listened to it at the archive...
https://www.archive.org/details/gd1971-08-06.fob-SonyECM22p.miller.88816.sbeok.flac16
best version of this song i've heard yet!
The Black Crowes-Hard to Handle
Another great cover was on the soundtrack of the film The Commitments - real oomf and zip. The original is great as well, of course :)
Just getting ready to comment that the black crowes does it best!
I've seen good concerts. I've seen bad concerts. I've seen mediocre concerts. The Black Crowes are the only band I've ever seen who where so half-ass and boring that I left after four songs.
oh relax you swede dude. this is where music came from. motown boy. get the chip of your shoulder. i apologize for your actions. please excust this boys comment. its racial and offensive. peace.
They have energy, but Otis has subtlety and authenticity. I like the Crowes, but they're just poseurs when it comes to covering this.
Just getting ready to comment that the black crowes does it best!
Brian wasn't alone in this sentiment. That's why Otis allways closed the Stax review.
Yep, even Bill Graham said he was the greatest he'd seen. Here's an excerpt from his book:
,,,
On stage the man never stopped moving. He would do a number and at the end of the number, he would strut the stage. "Yeah, Whew! Hey! Oh! Yeah! Party! Oh! Yeah! Whew! One two ..." and right into the next number. Three, four songs into the set on the first night, I was standing on the side of the stage. I couldn't believe how great he was.
He started doing his strut, back and forth. "Yeah! Oh! Damn! Whew!" As he was doing this, there was this woman leaning against the front of the stage. A gorgeous young black lady in a low-cut dress. She started sighing like she just could not hold on. "O-tis, Oh! Ah! Ah! Oooh!" He saw her. He was going back and forth and he said, "Yeah!" He had the microphone in his hand and he saw her and she said, "Unnh!" He walked across the stage, leaned down, took the mike, and pulled a move that has never been equaled.
He leaned down and looked at her, and he was a big, good-looking guy, and she was going "Oh! Oh!" and he said right into her face, "I'm gonna s-s-sock it to you, baby. One, two...." And the whole place went "Hah!" all together.
This is one talent we lost way too early...
For the best cover, check out Aug 6, '71, Hollywood Palladium:
https://deadlistening.blogspot.com/2008/07/1971-august-6-hollywood-palladium.html
I'm talkin' Rippin', one of the best Garcia solos eva. The entire band just Jumps on it, right from the first bar.
You only think that because you heard the Crows version first.
They have energy, but Otis has subtlety and authenticity. I like the Crowes, but they're just poseurs when it comes to covering this.
kids today. sad...
I'm not a kid, but I agree. I'm not a Crowes fan, but I think their remake is superior to the Redding version.
kids today. sad...
And check out the Stax museum the next time you are in Memphis. What - you aren't currently planning a trip to Memphis? Well, make some new plans.
There is a fantastic documentary on Stax records produced by PBS - very worthwhile.
Ouch!