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Length: 4:19
Plays (last 30 days): 2
I know a place
Ain't nobody cryin'
Ain't nobody worried
Ain't no smilin' faces
Mmm, no no
Lyin' to the races
Help me, come on, come on
Somebody help me now ''(I'll take you there)''
Help me, ya'all ''(I'll take you there)''
Help me now ''(I'll take you there)''
Oh ''(I'll take you there)''
Oh oh mercy ''(I'll take you there)''
Oh, let me take you there ''(I'll take you there)''
Oh-oh! Let me take you there! ''(I'll take you there)''
Play your, play your piano now
All right
Ah . . . do it . . . do it
Come on now
Play on it, play on it
Daddy daddy now
Daddy daddy daddy
Ooh, Lord
All right now
Baby, easy now
Now, come on, little David
All right
Dum-dum-dum-dum
Sock it, sock it
Ah, oh, oh!
I know a place, ya'all ''(I'll take you there)''
Ain't nobody cryin' ''(I'll take you there)''
Ain't nobody worried ''(I'll take you there)''
No smilin' faces ''(I'll take you there)''
Uh-uh ''(Lyin' to the races)
(I'll take you there)''
Oh, no
Oh ''(I'll take you there)''
Oh oh oh ''(I'll take you there)''
Mercy now ''(I'll take you there)''
I'm callin' callin' callin' mercy ''(I'll take you there)''
Mercy mercy ''(I'll take you there)''
Let me ''(I'll take you there)''
Oh oh, I'll take you there
''(I'll take you there)''
Oh oh oh oh
Wanna take you there
''(I'll take you there)''
Just take me by the hand, let me
''(I'll take you there)''
Let me, let me, let me lead the way, oh
''(I'll take you there)''
Let me take you there
''(I'll take you there)''
Let me take you there!
''(I'll take you there)''
Ain't no smilin' faces
''(I'll take you there)''
Up in here, lyin' to the races
''(I'll take you there)''
You oughta, you gotta gotta come let me, let me
''(I'll take you there)''
Take you, take you, take you over there
''(I'll take you there)''
Ooh, oh, oh, all right
''(I'll take you there)''
Oh-oh! All right!
''(I'll take you there)''
Oh! Oh! ''(I'll take you there)''
Mmmm, uh, oh! Yeah!
''(I'll take you there)''
Whoa!
''(I'll take you there)''
Let me lead the way
''(I'll take you there)''
Mavis Staples & co. came to record I'll Take You There, with the Swampers, including David Hood on bass. Paul Simon was looking to record Kodachrome and called up asking for the same "black musicians" that had backed the Staples Singers on this track. He was told they would be happy to record with him, but they were "mighty pale".
Also recommended, Muscle Shoals, a very good documentary about the recording studios there, how they evolved, etc. Aretha Franklin and others are in it.
" I'll take you there,"
Bass player is David Hood from Muscle Shoals, Alabama... Great bass line and deep in that pocket.
Thank You for the info!
YES!
... needs samping
#oneCoolDude
Heh. She's changing her story. Like Dylan never did anything like that, too.
Another song that makes a whole lot more sense to me now than it did it my acid-rock only youth, when it came out. Love it.
I Agree! Same here!
So did Bob Dylan. He asked her. She declined, thinking that Dr. King wouldn't approve.
This is true.
Is it?
https://www.theguardian.com/mu...
I want to marry a woman who sounds like Mavis Staples.
So did Bob Dylan. He asked her. She declined, thinking that Dr. King wouldn't approve.
This is true.
The bass, the horns, the vocals. This song is gospel pop perfection.
Couldn't have said it better.
:onthenose:
It's called "Soul." Amirite?
Are you 12? There's more to music than the number of different notes in a song. Maybe take up mathematics and forget about music appreciation? Dude..
I tend to think it's called a 'groove'
wow......not even listening to the lyrics? Damn you need some music appreciation courses!
Sorry to tell you but a comment like that suggests you have zero understanding of music
Lyin' to the races.
Please take us there on Nov. 3, 2020.
After the song ends, there is a man's voice saying, "In the United States today, we have more than our share of the nattering nabobs of negativism." I did a Google search on this phrase and found out it was then Vice President Spiro T. Agnew from a speech made in San Diego in 1970. He was referring to the media. Curious that this would be at the end of this song. I wonder why the Staples felt it should be at the end of their record. Perhaps Agnew was one of the "smiling faces lying to the races". According to Wikipedia, Agnew was governor of Maryland in 1968, the year Martin Luther King Jr. was assassinated. "...during the riots that followed...Agnew angered many African American leaders by lecturing them about their constituents in stating, 'I call upon you to publicly repudiate all black racists. This, so far, you have been unwilling to do' ".
This is from the Songfacts page, and assuming the vocal outro is part of the recording, this makes perfect sense, considering the "protest" songs the band started off with....create history lesson right there...LLRP!!
The "nattering nabobs of negativism" line was written by former NY Times columnist William Safire, who was Agnew's speechwriter at the time.
After the song ends, there is a man's voice saying, "In the United States today, we have more than our share of the nattering nabobs of negativism." I did a Google search on this phrase and found out it was then Vice President Spiro T. Agnew from a speech made in San Diego in 1970. He was referring to the media. Curious that this would be at the end of this song. I wonder why the Staples felt it should be at the end of their record. Perhaps Agnew was one of the "smiling faces lying to the races". According to Wikipedia, Agnew was governor of Maryland in 1968, the year Martin Luther King Jr. was assassinated. "...during the riots that followed...Agnew angered many African American leaders by lecturing them about their constituents in stating, 'I call upon you to publicly repudiate all black racists. This, so far, you have been unwilling to do' ".
This is from the Songfacts page, and assuming the vocal outro is part of the recording, this makes perfect sense, considering the "protest" songs the band started off with....great history lesson right there...LLRP!!
Both New Orleans and Muscle Shoals are on my "musical bucket list" from the South of the US. And all the Blues/Jazz that became R&B/Soul/Funk is some sort of great American History lesson there....Long Live RP and FUNKY music!!
heh
There was a time when R&B and funk was something special.
seemed people had open minds, and vision, and compassion and hope, right? what'dya think, is it too late ...
Cross-post—ABSOLUTELY the best
Merci.
Cross-post—ABSOLUTELY the best
And she turned him down because she thought Reverend King wouldn't approve.
Rest easy. Nothing kills any project of Mavis Staples.
My thoughts exactly. I'm still tired of this from its utter and constant overexposure by CKLW back in the day.
It was the parting song that Mavis Staples sang.
There was a time when R&B and funk was something special.
Rest easy. Nothing kills any project of Mavis Staples.
You must watch a lot of Austin City Limits, too.
This follows Bonnie Raitt tonight (and I am sure lots of other nights).
That ACL show with Bonnie and Mavis Staples just blew my mind. I am glad I recorded it and can watch if over an over.
They TOOK ME!
Mercy!
They are of exceptional value and may only be purchased on-line, (free shipping and 30 day try-out return). All of this by people who truly know, love, and devote their lives to great sound.
Bose design speakers to sell, only. Bass doubling and the Q factor at the lower frequencies is phenomenal... wobble, wobble. Truly "shithouse" , mate!
Axiom
Find them at: axiomaudio.ca ; axiomaudio.com
They are of exceptional value and may only be purchased on-line, (free shipping and 30 day try-out return). All of this by people who truly know, love, and devote their lives to great sound.
Bose design speakers to sell, only. Bass doubling and the Q factor at the lower frequencies is phenomenal... wobble, wobble. Truly "shithouse" , mate!
That's David Hood of the Muscle Shoals Rhythm Section, one of my idols on bass. Man could cut a groove. However, I'm going to second LowPhreak's suggestion that you shitcan the Bose rig for something doesn't use engineering tricks to accentuate the bass and costs less to boot.
Father of Patterson Hood of the Drive-By Truckers.
Great tune BTW :)
LowPhreak wrote:
HAha! Get a real stereo! Bose sucks.
That's David Hood of the Muscle Shoals Rhythm Section, one of my idols on bass. Man could cut a groove. However, I'm going to second LowPhreak's suggestion that you shitcan the Bose rig for something doesn't use engineering tricks to accentuate the bass and costs less to boot.
HAha! Get a real stereo! Bose sucks.
Please stop saying every damn song is "good for the ears", I beg you. The English language does have quite a rich vocabulary - check it out!
This damn song is soooo good for the external auditory meatus... we be dancing...
The youtube version i found has no audio... but this one does.
https://misternizz.wordpress.com/2011/05/15/gregory-grants-ode-to-gi-joe-original/
great video
I'm sure there is a theme, but this set has been an emotional roller coaster ride. Wheeeee?
Exactly I fully agree with youmisterbearbaby ... this is REAL SOUL.. not the modernistic crap that has stolen the soul label.
Yuppers
Great stuff
Second that motion!!!
Yuppers
Great stuff
My will says to play this at my funeral. As they lower me into the ground....Slowly.
Full circle. Starting to come full circle.
Love this tune.
His version of Dylan's "Masters of War" is a powerful and articulate anti-war song, and worth a listen — an anti-war Christian - that's what I'm talkin about.
Look at that album cover. They must have borrowed costumes from the set of Good Times....
The 70s were like that. Compared to some of the fashions going 'round in those days, those threads are paragons of subtlety and restraint.